Deep breaths

I sent an exhibition proposal for December or later, but there was an opening in October, so despite not having the work done yet I decided to take it.

The show will be called Inheritance and it addresses the conflicts and ethics of various animal rights issues, such as factory farming and animal testing by the cosmetics industry. It combines drawing, painting, and installation. The original proposal needed to be simplified a bit for the sake of time and money, but the changes actually seem to work better (at least in my mind) than before. They’re a bit more dynamic. I’m really excited and nervous about it.

The local animal rights group might help me with the food at the reception. Fingers crossed. It’d be really great if the reception could be the combined effort of many individuals, especially on the local level. The reception will be entirely vegan, although I’ve heard that some people only go to art shows for cheese. Hm.

The past week and a half has been almost continually about collecting images: faces, bruises, skin irritation, nude females, mastitis, etc. My cats really like to be in the reference photos. Maybe I should just paint my cats. A whole show dedicated to my future as a cat lady.

(By the way, the two “poses” above are not going to be included. I just thought they were good representations of my cats’ individual style for getting in the way. Because I know how much you care about my darling cats.)

I go where I wanna go / providence

Now that they’re framed, mostly in second hand frames, I like them much more. Probably because I don’t have to worry as much about the 96 year old paper tearing or getting renegade glitter in my tea.

The paintings will go up on Friday and will remain in the Earth Fare cafe area through August. Hopefully at least a few of them will sell since that was kind of the whole point. That said, I don’t think these pieces are entirely separate from my “real” work and actually reflect on some interesting things that I had forgotten about.

One example: When I was a kid, I used to make a lot of collages. I didn’t intend for them to have socially critical meanings or set out thinking, “This will be funny”. I just made them. Later I’d look at them and think, “Oh, this is about _____” and I could see how they were a bit silly and angry all at once.

Coincidentally, I’ve been watching X-Men cartoons lately.

Things to know:

Sue Coe Lectures at ETSU:

Thursday, March 25th at 7:00 p.m. in room 112 of Brown Hall.

http://www.graphicwitness.org/coe/enter.htm

http://en.wikipedia.org/wiki/Sue_Coe

http://wiki.provisionslibrary.org/wiki/index.php/Sue_Coe

Big Mary
She Can't Catch Up, 1998.
Untitled, 2004.
Feedlot, 1991.
Dog Food, 1988.

Megan Levacy is having a  reception for her MFA thesis exhibition Eulogy at the Reece Museum from 5:00 to 6:30 p.m.

Field Sparrow

For more information:

http://meganlevacy.com/

http://www.etsu.edu/reece/

Also, the Cherokee Carvers exhibition is still going on at the Reece Museum in another gallery if you haven’t see it yet.

Tomorrow, Friday, March 18th receptions will be held for two more graduating ETSU students Slocumb Galleries — Laken Bridges’ Manifestation and Charlie Haskins and The Rain Dogs’ A Matter of Taste. The reception will go from 5:00 to 7:00 p.m.

Flight. Laken Bridges.

A Matter of Taste exhibition card.