I think what was suddenly so appealing about drawing when I was working on Between Two Thoughts was the momentum behind it, that it encouraged a continual push toward the edges. And I could work very intuitively. I could just pick up a piece of paper and a pen and work for hours, until I was literally falling asleep and drooling on my drawing, and then wake up and do more.
Now I’m trying to see how that translates into painting and colour, which add certain complications. Especially while trying to see this Horse.